Submissions to literary magazines: 249 Rejections: 184 Pending: 65 Acceptances: 4 From Chicxulub with Love in Fusion Fragment issue #18 Frankenthaler’s Blue in Five South A Place for Losing Things in Stanchion issue #13 Astronauts Fight Back! in Los Angeles Review Success rate: 2% Can’t stop, won’t stop!
This story was born from a visit I made to the Norton Simon Museum in Los Angeles, where I spent a long time standing in front of a monumental canvas (Adriatic, 1968) by Helen Frankenthaler. Like many of her paintings, the effect was nearly overwhelming, creating sensations that seemed to ripple across all five senses. …
In the summer of 2021, I read a mind-blowing science article about how plants might possess some rudimentary powers of perception. It sparked me to write “Cottonwoods,” which turned into an almost unspeakably sad story, making me very happy. You cry, I smile. That’s just the way art works, man. I’m very grateful to the editors …
Is it a poem? Is it a story? Does it follow the rules of haiku? Does it break them? The answer to each of these questions is “Yes!” This was such a fun piece to write. I love working within limitations, and I especially love the concision and economy of haiku, but my natural mode …
The news reports of the chaotic and terrifying withdrawal of American forces from Afghanistan in the summer of 2021 made an impression on me. Since fiction tends to be my way of processing reality, a story started brewing. My imagination led me to set a fictionalized version of those events in a near-future France, transposing …
Have you ever wished for your problems to not just be solved but annihilated? Googled an old lover, found them on social media and lingered over the send button? Wished for the sudden upheaval of your own life? If so, here’s a cup of hot cocoa for you. This story, “My Fire Still Burns,” started …
It’s a great honor to have my novelette, PLANETFALL, appear in the May/June 2022 issue of Analog Magazine. I’ve been submitting to Analog since the early ’90s, and their rejections have been papering the walls of my study for three decades now, so it’s especially gratifying to finally break through. This story is a stand-alone …